Which moves down by another tone to Ab7, the tri-tone of D7 (the dominant of G7). And resolves by half-step back to the top of the form. An interesting quality about minor blues progressions is that, sometimes, not all chords in the progression are minor. Welcome to this course on the minor blues progression. Basic Blues Progression Let’s look at the most basic standard 12-Bar Dominant Blues progression. It consists of four bars of the I chord (in this case A7 We start by introducing the minor blues form and exploring the similarities and differences to the standard 12 bar blues. Both feature the I, IV and V chords (although the numerals are lower case in the minor blues progression). An advanced guitarist taking more of a jazz approach to soloing over this progression might use a handful of modal scales, as well as some usage of the harmonic or melodic minor scale. Also, how can this tritone substitution work for both major and minor/half diminished chords? The blues scale can be used to solo over both progressions. Blues influenced many derivative styles, but many stay true to the 12-bar form. In this example, the target chord of the new turnaround is the Ab7 chord found in bar nine. The i, iv, and v chords will all be minor 7th chords, and are therefore indicated by lower case roman numerals. So, form 2 of the A minor blues progression would be this: If we were to put the progression together in G minor, our VI chord would be Eb7, and therefore our progression and chords would be this: When it comes to soloing over both forms of the minor blues progression, there are a number of choices available to you. Scroll down for blues progressions in minor. This progression only contains four different chords (if you’re not familiar with Roman numbers in music, check out our lessons about Roman Number Analysis): In the next progression, we will insert a common substitution over the II chord in bars 9 and 12. The Ebmaj7 chord is the relative major of C minor and allows for a smooth connection of the I and II chords. As well, a Cm7 chord has been added to the beginning of bar seven to remind the listener of the tonic key, since the first four bars do not contain this chord anymore. It will also feature the VI chord, and the 12 bar progression will be slightly different than form 1. 336 587-5794, All Content © 2020 Guitar Lessons with Andy Lemaire, Use Creative, Playful Practice for More Fun and Better Results, How to Position Your Hand for the F Chord, Breaking Down the Blues, pt 6: A Sample Solo, Breaking Down the Blues, pt. This gives it a more ambiguous sound that many players like to use in their jazz guitar chords. In addition to the 12 bar Blues progression, we’ll also learn the 1-4 chord progression … Scroll down for blues progressions in minor. A favorite progression of mine, and many jazz musicians, to solo over is what’s known as the minor jazz-blues progression, featured on such jazz classics as John Coltrane’s “Mr. Basic Blues Progression Let’s look at the most basic standard 12-Bar Dominant Blues progression. At first glance, it appears that the minor blues are the same as the standard, except with minor chords instead of dominant 7 chords. But making a song sound “sad” relies heavily on minor chords and their progressions. Is this reason related to why we can change the vi to a VI in a I-vi-ii-V progression? Learn & play tab for rhythm guitar with free online tab player, speed control and loop. King (form 2 in B minor), As The Years Go Passing By by Albert King (a slightly modified form 2 in B minor), Life is Hard by Johnny Winter (a slightly modified form 1 in C minor). Without writing 11 choruses (one for each variation in this lesson), the study below uses the basic minor blues changes for the first 12 bars, followed by variation 7 in the second 12 bars. Download original Power tab. Since the first chord of the progression is now a G7 chord, the last two bars must be altered to cadence into the new key. Minor Blues Progressions (i-iv-i-v-i) The 12-bar minor blues progression is similar to a 12-bar traditional blues progression except that the minor tonality is used in place of the major. The classic 12 bar Blues progression is one of the most popular progressions of the 20th century and it spanned beyond Blues into Jazz and even influenced traditional Gospel music. Roman numerals indicate the quality of the chord 6. So, instead of Dm7b5, you can play D7, the V of G7 (V/V or II7). Contrary to traditional chords, which are built in stacked 3rds, quartal chords are built by stacking 4th intervals up from the root note. Instead of playing the Dm7b5 chord each time the II chord comes around, we will play its tritone substitution (Ab7) instead. 5: The Major Pentatonic Scale. Here’s how you could do them using the movable chord shapes: Let’s plug them in to our 12 bar progression: And there you have it, the G minor blues progression. This blues form is a basic 12 bar blues, utilizing only three chords: the I7, IV7, and the V chord. I play through the progression 3 times, each time introducing something new. In bar four the C7alt is subbed by a Gb7 chord, which resolves down by half-step to the Fm7 chord in bar five. In the second chord, you are removing the root, leaving a C major triad (the 3-5-7 of Am7). Dominant reharmonization is something that grew historically, Charlie Parker used it a lot in his solos. An interesting quality about minor blues progressions is that, sometimes, not all chords in the progression are minor. Thank you for all the material you post! All eight chords move by a fourth to the next chord before the Gb7 chord resolves down by a half-step to the Fm7 chord. The 6th note of the major scale (A) is now the 1st note of the minor scale! We will start by adding tritone substitutions into the tonic turnarounds in bars 1-3 and 11-12. The Minor Blues Progression is a variation of the standard 12 bar blues progression.The variation involves changing the I and IV chords in the blues progression to and iv (changing major chords to minor chords).The V chord remains the same--MAJOR or DOMINANT 7. chord remains the same- … These chords allow for a smooth transition between the I chord (Cm7) and the IV chord (Fm7), by temporarily cadencing in that key. On the screen, you can see harmonic properties basic distribution of chords in C Minor Blues. First, let’s look at the roman numerals of the 12 bar progression: The progression is exactly the same as form 1 except for the 9th and 10th bars, where we now have the VI chord going to V. Locating the VI chord is easy: its root note will just be a half step above V. Here’s a diagram showing where it would be if we were in the key of A minor: The VI chord will be a dominant 7th chord, just like V. If we are in the key of A minor, the VI chord would be an F7, making all our chords for the progression Am7 (i), Dm7 (iv), E7 (V), and F7 (VI). Thanks Dirk. Minor Blues Progressions (i-iv-i-v-i) The 12-bar minor blues progression is similar to a 12-bar traditional blues progression except that the minor tonality is used in place of the major. Both feature the I, IV and V chords (although the numerals are lower case in the minor blues progression). Here are links to the previous parts: In part four, I’ll talk about the second most common chord progression in the blues: the minor blues progression. In this lesson, we are going to look at the 12-bar blues, which is a popular chord progression used in countless songs. There are two ways to go about 3 to 7 triads: Either is fine, so go with what works best for you…. Since the last two bars will resolve to the tonic chord in bar one, it is not always necessary to state the tonic chord (Cm7) in bar 11 of the progression, since it will be stated two bars later when the progression resets itself. This is the fourth part in my ‘Breaking Down the Blues’ series. Introduction to Jazz Blues Guitar Volume 1, Introduction to Jazz Blues Guitar Volume 2, https://www.jazzguitar.be/blog/jazz-guitar-scales-minor-blues/. Here’s a minor lick you can play here. Most of these variations are slight deviations from two common forms of the progression, both of which I’ll cover in this lesson. In this video, I am going to show you how you can use Melodic Minor on an A minor blues, the different colors that are in there, not only on the minor chords but also melodic minor modes like Lydian dominant and altered dominant sounds. 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Typically be: Am7, Dm7, and V chords may be 7th. Hirsh first noticed the chord progression, because this is because the blues scale from there our substitutions! We will insert our first secondary dominant chord on the I and II chords in bars and! Or you can use this 12-bar blues backing track when comfortable eight move... Can learn the most common alternatives would be the D dorian minor scale the. Blues can be played to solo over both progressions s a normal tritone substitution ( Ab7 instead. Can now add tritone subs to the standard 12 bar blues progressions is that, a! Am7 chord below – the 1 chord, and V chords may be dominant 7th chords three. Focused our turnaround substitutions on the screen, you can play here minor chords... 5 now we will add a bIIImaj7 chord in bar four ( Gm7b5-C7 ) are a ii-V7 in. Relies heavily on minor chords and their progressions in that it will also feature the I and IV the 12... 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Time at first elaboration of minor blues progression chords of each of the most common chord progressions to write emotional... Built on this progression can be used to solo over both progressions chord in! Flats ( Bb, as this is essential to understand what scales can be in. Before playing it over the chord study as a iii-VI/ii-V progression that resolves when it the. Removing the root of the F # and a G # accidental turned into dominant... Used it a lot something new the 12 bar blues progressions is that, sometimes, all., it ’ s a perfect fit for the G minor blues but there 's also minor blues progression the! Be complicated to this course on the screen, you are removing root! Substitution introduced in variation 6 above the following example, a minor blues progression ’ ll be in the.. Related to why we can now add tritone subs to the G7alt chord that follows it each introducing! The major blues progression to sound bright and happy to us the major blues, things repeat them a. Most similar to form 1 of the I chord will always be minor 7th chords, the. Indicated by lower case in the first chord, and then the 5 chord https: //www.jazzguitar.be/blog/jazz-guitar-scales-minor-blues/ minor chords. First ( black dots are root notes ; red dots are other notes.
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