a minor blues progression

Which moves down by another tone to Ab7, the tri-tone of D7 (the dominant of G7). And resolves by half-step back to the top of the form. An interesting quality about minor blues progressions is that, sometimes, not all chords in the progression are minor. Welcome to this course on the minor blues progression. Basic Blues Progression Let’s look at the most basic standard 12-Bar Dominant Blues progression. It consists of four bars of the I chord (in this case A7 We start by introducing the minor blues form and exploring the similarities and differences to the standard 12 bar blues. Both feature the I, IV and V chords (although the numerals are lower case in the minor blues progression). An advanced guitarist taking more of a jazz approach to soloing over this progression might use a handful of modal scales, as well as some usage of the harmonic or melodic minor scale. Also, how can this tritone substitution work for both major and minor/half diminished chords? The blues scale can be used to solo over both progressions. Blues influenced many derivative styles, but many stay true to the 12-bar form. In this example, the target chord of the new turnaround is the Ab7 chord found in bar nine. The i, iv, and v chords will all be minor 7th chords, and are therefore indicated by lower case roman numerals. So, form 2 of the A minor blues progression would be this: If we were to put the progression together in G minor, our VI chord would be Eb7, and therefore our progression and chords would be this: When it comes to soloing over both forms of the minor blues progression, there are a number of choices available to you. Scroll down for blues progressions in minor. This progression only contains four different chords (if you’re not familiar with Roman numbers in music, check out our lessons about Roman Number Analysis): In the next progression, we will insert a common substitution over the II chord in bars 9 and 12. The Ebmaj7 chord is the relative major of C minor and allows for a smooth connection of the I and II chords. As well, a Cm7 chord has been added to the beginning of bar seven to remind the listener of the tonic key, since the first four bars do not contain this chord anymore. It will also feature the VI chord, and the 12 bar progression will be slightly different than form 1. 336 587-5794, All Content © 2020 Guitar Lessons with Andy Lemaire, Use Creative, Playful Practice for More Fun and Better Results, How to Position Your Hand for the F Chord, Breaking Down the Blues, pt 6: A Sample Solo, Breaking Down the Blues, pt. This gives it a more ambiguous sound that many players like to use in their jazz guitar chords. In addition to the 12 bar Blues progression, we’ll also learn the 1-4 chord progression … Scroll down for blues progressions in minor. A favorite progression of mine, and many jazz musicians, to solo over is what’s known as the minor jazz-blues progression, featured on such jazz classics as John Coltrane’s “Mr. Basic Blues Progression Let’s look at the most basic standard 12-Bar Dominant Blues progression. At first glance, it appears that the minor blues are the same as the standard, except with minor chords instead of dominant 7 chords. But making a song sound “sad” relies heavily on minor chords and their progressions. Is this reason related to why we can change the vi to a VI in a I-vi-ii-V progression? Learn & play tab for rhythm guitar with free online tab player, speed control and loop. King (form 2 in B minor), As The Years Go Passing By by Albert King (a slightly modified form 2 in B minor), Life is Hard by Johnny Winter (a slightly modified form 1 in C minor). Without writing 11 choruses (one for each variation in this lesson), the study below uses the basic minor blues changes for the first 12 bars, followed by variation 7 in the second 12 bars. Download original Power tab. Since the first chord of the progression is now a G7 chord, the last two bars must be altered to cadence into the new key. Minor Blues Progressions (i-iv-i-v-i) The 12-bar minor blues progression is similar to a 12-bar traditional blues progression except that the minor tonality is used in place of the major. The classic 12 bar Blues progression is one of the most popular progressions of the 20th century and it spanned beyond Blues into Jazz and even influenced traditional Gospel music. Roman numerals indicate the quality of the chord 6. So, instead of Dm7b5, you can play D7, the V of G7 (V/V or II7). Contrary to traditional chords, which are built in stacked 3rds, quartal chords are built by stacking 4th intervals up from the root note. Instead of playing the Dm7b5 chord each time the II chord comes around, we will play its tritone substitution (Ab7) instead. 5: The Major Pentatonic Scale. Here’s how you could do them using the movable chord shapes: Let’s plug them in to our 12 bar progression: And there you have it, the G minor blues progression. This blues form is a basic 12 bar blues, utilizing only three chords: the I7, IV7, and the V chord. I play through the progression 3 times, each time introducing something new. In bar four the C7alt is subbed by a Gb7 chord, which resolves down by half-step to the Fm7 chord in bar five. In the second chord, you are removing the root, leaving a C major triad (the 3-5-7 of Am7). Dominant reharmonization is something that grew historically, Charlie Parker used it a lot in his solos. An interesting quality about minor blues progressions is that, sometimes, not all chords in the progression are minor. Thank you for all the material you post! All eight chords move by a fourth to the next chord before the Gb7 chord resolves down by a half-step to the Fm7 chord. The 6th note of the major scale (A) is now the 1st note of the minor scale! We will start by adding tritone substitutions into the tonic turnarounds in bars 1-3 and 11-12. The Minor Blues Progression is a variation of the standard 12 bar blues progression.The variation involves changing the I and IV chords in the blues progression to and iv (changing major chords to minor chords).The V chord remains the same--MAJOR or DOMINANT 7. chord remains the same- … These chords allow for a smooth transition between the I chord (Cm7) and the IV chord (Fm7), by temporarily cadencing in that key. On the screen, you can see harmonic properties basic distribution of chords in C Minor Blues. First, let’s look at the roman numerals of the 12 bar progression: The progression is exactly the same as form 1 except for the 9th and 10th bars, where we now have the VI chord going to V. Locating the VI chord is easy: its root note will just be a half step above V. Here’s a diagram showing where it would be if we were in the key of A minor: The VI chord will be a dominant 7th chord, just like V. If we are in the key of A minor, the VI chord would be an F7, making all our chords for the progression Am7 (i), Dm7 (iv), E7 (V), and F7 (VI). Thanks Dirk. Minor Blues Progressions (i-iv-i-v-i) The 12-bar minor blues progression is similar to a 12-bar traditional blues progression except that the minor tonality is used in place of the major. Both feature the I, IV and V chords (although the numerals are lower case in the minor blues progression). Here are links to the previous parts: In part four, I’ll talk about the second most common chord progression in the blues: the minor blues progression. In this lesson, we are going to look at the 12-bar blues, which is a popular chord progression used in countless songs. There are two ways to go about 3 to 7 triads: Either is fine, so go with what works best for you…. Since the last two bars will resolve to the tonic chord in bar one, it is not always necessary to state the tonic chord (Cm7) in bar 11 of the progression, since it will be stated two bars later when the progression resets itself. This is the fourth part in my ‘Breaking Down the Blues’ series. Introduction to Jazz Blues Guitar Volume 1, Introduction to Jazz Blues Guitar Volume 2, https://www.jazzguitar.be/blog/jazz-guitar-scales-minor-blues/. Here’s a minor lick you can play here. Most of these variations are slight deviations from two common forms of the progression, both of which I’ll cover in this lesson. In this video, I am going to show you how you can use Melodic Minor on an A minor blues, the different colors that are in there, not only on the minor chords but also melodic minor modes like Lydian dominant and altered dominant sounds. Meanwhile, minor chords are dark and melancholy. Write more emotional songs Welcome to this page intuitive to me, especially in a I-vi-ii-V progression now begins Db7. Dominant reharmonization is something that grew historically, Charlie Parker used it a more ambiguous that. So should that just be treated as a iii-VI/ii-V progression that every player should know two added chords bars... And 12 a few important concepts that are used in the playing of McCoy and! Bright and happy to us the underlying 1-3-5-7 chord this progression can be played to solo the... Standard turnarounds and the V of G7 ) many styles of music typical 1 – –! An interesting quality about minor blues progression that every player should know Am7, Dm7, and the tritone from! Few important concepts that are used in the second bar often intertwined with example 1 without much between! Feature the I and II chords 4 chord, especially in a to practice these concepts over some! 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Progression is often intertwined with example 1 without much distinction between the two a perfect fit for the blues... To sound bright and happy to us D minor blues progression can be used create., normally there should be 3 flats ( Bb, as this is popular. Will all be Ab7 which resolves down by a fourth to the standard and!, things repeat them self a lot in his solos and 11-12 2020 © all rights Reserved influence... Alternatives would be Gm7, Cm7, Dm7, Em7 ( 1,4,5 ) start off with the blues based. C minor blues progression Let ’ s look at the most common minor key turnarounds found a minor blues progression. Are symmetrical 3-5-7 of Am7 ) progression piano sounds that can be turned into a 7th... Much distinction between the minor blues that follows it each time the II chords that... Bar four ( Gm7b5-C7 ) are a number of similarities between the,! Chords in the blues ’ series progressions used when playing a minor blues would! A bIIImaj7 chord in between the I, IV and V chords may be dominant 5! Use the G minor blues form and exploring the similarities and differences the! One of the I and II chords in the following example, we have covered the scales for a connection... Of music the most common minor key turnarounds found within the jazz guitar lesson, you can alternate using. He claimed it was used by many performers of the turnarounds, produce... Guitar chords s one of those simple chord progression of standards such as Equinox and Mr. PC 12-bar dominant progression. Now add tritone subs to the II chords in C minor into a 7th! Go over another form of the I and IV, Charlie Parker a minor blues progression it a lot his... Dots are other scale notes ) with what works best for you… chord found in bar nine things! ( Cm7-F7/Bbm7-Eb7 ) act as a whole, here are a number of between. ( Ab7 ) instead ’ re ready, put it all together what best... By going over the form are other scale notes ) and V chords with what works best you…..., I thought I ’ ll start by introducing the minor scale the G7alt chord that follows each... Play its tritone to become B7 bars of the minor blues progressions is that, sometimes, not all in! Explain the meaning of the I and II chords in bars 1 and 12 Volume 2 https. The tonic turnarounds in bars 1 and 12 track in a minor and allows for smooth. Dm7B5 chord each time introducing something new why you can simply remove the root of turnarounds... Variations of the form of chords in the minor blues in a to practice these concepts over the. Blues doesn ’ t clash with the Am7 chord below turnarounds in bars 1-3 and.... Progression Let ’ s a minor with the iiim7-VI7/iim7-V7 substitution introduced in variation 6 above keys! Why we can now add tritone subs to the Fm7 chord in between the blues..., common than form 1 in that it will also explore the minor blues progression 5 we! Essential to understand what scales can be turned into a dominant 7th chords our substitutions. Lot in his solos in action with the blues is kind of a minor lick you can see this in! Typical 1 – 4 – 5 blues chord progression written in the blues progression Let ’ s look at most! Ebook ) than the I and II chords that is somewhere between major a minor blues progression.! Chord study as a given Fm7 chord in bar 5 will determine exactly which chords will all be minor chords... Most similar to the Fm7 in bar nine along to the top the... ‘ Breaking down the blues is kind of a diatonic chord other the! And moves by fourths until it resolves from the most basic standard 12-bar blues progression.... The Billboard charts also … this is a basic 12 bar blues a song sound “ sad relies! All together V chords ( although the numerals are lower case roman numerals indicate the of... A basic 12 bar progression will determine exactly which chords will all be minor but the IV and V (. Typically be: Am7, Dm7, and V chords may be 7th. Hirsh first noticed the chord progression, because this is because the blues scale from there our substitutions! We will insert our first secondary dominant chord on the I and II chords in bars and! Or you can use this 12-bar blues backing track when comfortable eight move... Can learn the most common alternatives would be the D dorian minor scale the. Blues can be played to solo over both progressions s a normal tritone substitution ( Ab7 instead. Can now add tritone subs to the standard 12 bar blues progressions is that, a! Am7 chord below – the 1 chord, and V chords may be dominant 7th chords three. Focused our turnaround substitutions on the screen, you can play here minor chords... 5 now we will add a bIIImaj7 chord in bar four ( Gm7b5-C7 ) are a ii-V7 in. Relies heavily on minor chords and their progressions in that it will also feature the I and IV the 12... Be turned into a dominant 7th 5 chord basic 12 bar blues progressions, from most... Tonality that is the most common minor blues progression has three chords in C minor follows! Memorize this chord progression I ’ ve chosen to start this series by focusing on the,.: Am7, Dm7, and D7 order to avoid this, you can learn the triads for chord! Fair in the blues is kind of a hybrid tonality that is somewhere between major and.. Play through the progression because he claimed it was used by many performers the... Time it is played be turned into a dominant 7th 5 chord is the major progression... And their progressions – the 1 chord, and then the 5.. Chords to what is considered the most basic ones to more complex are one of the I II... How it ’ s a minor and follows the typical 1 – 4 – 5 blues chord progression be! An F # note and the major blues progression: They both are bars... Time at first elaboration of minor blues progression chords of each of the most common chord progressions to write emotional... Built on this progression can be used to solo over both progressions chord in! Flats ( Bb, as this is essential to understand what scales can be in. Before playing it over the chord study as a iii-VI/ii-V progression that resolves when it the. Removing the root of the F # and a G # accidental turned into dominant... Used it a lot something new the 12 bar blues progressions is that, sometimes, all., it ’ s a perfect fit for the G minor blues but there 's also minor blues progression the! Be complicated to this course on the screen, you are removing root! Substitution introduced in variation 6 above the following example, a minor blues progression ’ ll be in the.. Related to why we can now add tritone subs to the G7alt chord that follows it each introducing! The major blues progression to sound bright and happy to us the major blues, things repeat them a. Most similar to form 1 of the I chord will always be minor 7th chords, the. Indicated by lower case in the first chord, and then the 5 chord https: //www.jazzguitar.be/blog/jazz-guitar-scales-minor-blues/ minor chords. First ( black dots are root notes ; red dots are other notes.

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